Reviews | NME

‘Terra Nil’ review: a joyous reverse city builder

Cancelling the apocalypse

Boygenius – ‘The Record’ review: the instant classic we were hoping for

With their first full-length, the indie rock supergroup elevates their songwriting by combining the best parts of their artistry

Knotfest Melbourne 2023 review: explosive proof that metal is alive and well

Slipknot’s destination festival officially made landfall Down Under, the inaugural edition in Melbourne uniting metalheads with killer riffs and a soul-warming atmosphere

‘Succession’ season four, episode one recap: deals, drama and divorce

**Spoilers for 'Succession' season four, episode one 'The Munsters' ahead**

Jimin – ‘FACE’ review: BTS singer captures the turbulence of modern life in shadowy debut solo album

The singer’s first record sometimes takes a rocky road, but there’s plenty of promise between

Genesis Owusu live at the Sydney Opera House: a magnificent spectacle

Sydney Opera House, March 23: The Sydney Symphony Orchestra helps elevate the Australian artist’s already electrifying live show for an epic, unforgettable night

‘A Good Person’ review: even Florence Pugh and Morgan Freeman can’t save this misfiring drama

Zach Braff continues his patchy filmmaking streak with a movie that often tries to hit you in the gut, but almost always misses

‘Dredge’ review: not R’lyeh

Captivating eldritch fishing with frustratingly shallow limits

Fall Out Boy – ‘So Much (For) Stardust’ review: an audacious return from theatrical rockers

The Chicago band's eighth album sees them both advancing their sound and acknowledging their roots

‘Yellowjackets’ season two review: a terrific yet traumatic return to the wild

The second instalment of this acclaimed thriller series continues to prove that, even 25 years later, what happens in the wilderness definitely does not stay in the wilderness